Landow '91 AnthropologyPrinceton University, Kamala Markandaya's Nectar in a Sieve portrays its positive woman characters as ideal sufferers and nurturers. The women are from the rural sections of society. They are the daughters of the soil and have inherited age-old traditions which they do not question. Sterling,49].
Summary Analysis Soon, Rukmani is pregnant. Around this time, Kunthi goes into labor on a day when only Rukmani is available to help. Kunthi pushes Rukmani away and begs her to leave, but Rukmani assumes the woman is delirious and frightened and sensibly stays until the midwife arrives.
Nathan greets her with unexpected anger, asking why she stayed so long and reminding her that she cannot overextend herself during her own pregnancy. Rukmani almost cries at this unexpected rebuke from her usually gentle and patient husband.
Active Themes To protect her body during the pregnancy, Rukmani leaves more of the household chores to Nathan. In her leisure time, she practices her writing.
Kali and Janaki are surprised that Rukmani is educated, but not particularly impressed. Through behavior like this, Rukmani both defies and reinforces expectations of women. Rukmani is grateful that her husband, himself illiterate, does not resent her for this pastime. She knows that it must be hard for him to have a wife more educated than he is, and that he is humbling himself by supporting her.
One day, Rukmani sees a cobra among her pumpkins. She knows she should be petrified, but she reaches out and touches it carefully.
In the next moment, she comes to her senses and runs away screaming. Nathan cuts the snake into pieces, but tells Rukmani that if left undisturbed, such animals are usually harmless.
He gently pokes fun at her for running through the fields with her heavy pregnant belly. Rukmani is both attracted and repelled by the cobra, which could easily kill her with a single bite. Throughout the novel, Rukmani is interested in the calamitous events that occur around her, but also refrains from becoming too wrapped up in them in order to maintain her mental serenity.
Soon after, Rukmani goes into labor. Kali comforts her, saying that she has plenty of time to give birth to sons; her neighbor takes over the housekeeping for a few days, even tending to the garden.
Watching her one morning, Rukmani imagines that the cobra is inside the house and starts screaming. When she tells the story to Kali, the other woman says that Nathan should not have killed the cobra, since they are sacred, but Nathan says that Kali is a superstitious fool. Rukmani eventually forgets about the incident, although while tending to the pumpkins she often imagines the cobra slinking through their wide leaves.
Although Rukmani takes joy in her children throughout the novel, her love is balanced by an acute awareness of the various dangers they face and her inability to protect them from those dangers.
Active Themes Rukmani names her daughter Irawaddy, after a large river. However, as she grows up, he quickly becomes attached to her and dotes on her fondly.
Irawaddy is a beautiful child, and people in the village are always happy to see her. Her position in the family helps contravene stereotypes about the oppression of women in traditional communities. Active Themes As she grows older, Irawaddy crawls behind her parents in the fields. While Nathan plows and Rukmani scatters the seed, the baby plays by herself or sleeps in a cloth hung from a branch.
Retrieved November 29, Kamala Markandaya was a pseudonym used by Kamala Purnaiya Taylor, an Indian novelist and journalist.
Born in Bangalore, India in , Markandaya was educated at the University of Madras in Chennai, India, and worked briefly for a weekly newspaper before emigrating to England in Reviews: Essays for Nectar in a Sieve.
Nectar in a Sieve essays are academic essays for citation.
These papers were written primarily by students and provide critical analysis of the novel Nectar in a Sieve by Kamala Markandaya. The Price of Dignity. Need help with Chapter 2 in Kamala Markandaya's Nectar in a Sieve? Check out our revolutionary side-by-side summary and analysis. s uncharacteristic display of anger in this passage foreshadows the revelations that Kunthi will make later in the novel.
Active Themes she doesn’t seem to value it as anything more than a pastime. Kamala Markandaya has written eleven novels in 23 years, The first Nectar in a sieve, being published in , the last one to date The Golden Honeycomb in Kamala Markandaya's Nectar in a Sieve and Deepa Mehta's Water Essay - Kamala Markandaya's Nectar in a Sieve and Deepa Mehta's Water are two pieces of Indian media that share the same general meaning, however different the circumstance and the reaction to them may be.
Kamala Markandaya's Nectar in a Sieve portrays its positive woman characters as ideal sufferers and nurturers. "[T]he cause of her suffering springs mainly from poverty and natural calamity.
The women are from the rural sections of society.